THE GREATEST BISCAY
TRANSPORTER BRIDGE
HISTORY
INFORMATION HISTORY ACTIVITIES RESERVES POSTALS
PRECEDENTS IN HISTORY
DRAFTS AND PLANS
THE PROJECT
CONSTRUCTION WORK
END OF THE CONSTRUCTION
OTHER BRIDGES OVER THE NERVION
THE OPENING CEREMONY
INTERNATIONAL IMPACT
ALFONSO'S XIII VISIT
THE BRIDGE AND ITS CULTURAL MILIEU
THE CIVIL WAR YEARS
REPAIRING THE BRIDGE
DESIGNER AND ARCHITECT
ANECDOTES
Consult the index pushing the right button of the mouse.
Despite its longevity, similar constructions to the Transporter Bridge can be found dating back to the 16th century. These bridges were used to cross wide-span rivers and estuaries all over Europe.


When first attempting to develop a project that would join both banks of the Nervion at its mouth, engineer and architect Alberto de Palacio (transponative of Biscay) carried out a meticulous job. He analysed all the options available at the time:

rters mounted on rails (see photo on the left), various types of barge as well as all kinds of bridge: swing, bascule, lifting, cantilever, underwater, etc. All these varieties were rejected on technical grounds, until the final design was agreed on. Initially named Palacio Transporter Bridge, its design met all the necessary requirements:

Ability to ferry both cargo and passengers.
No interruption of river traffic.
Reasonable construction costs.
A symbol had been born. The bridge has been defined by some as an engineering wonder of its time; others, however, envisage it as a structure that overcame its pragmatism to become the symbol of an entire region.
Three different proposals preceded the definitive design. The latter favours two horizontal iron crossbeams -as opposed to the cables of one of the earlier designs- resting on four latticework towers anchored in the piers either side of the Nervion. The passenger and cargo platform, or gondola, is suspended from a traveller that runs along the track provided by the crossbars.
Original scheme of the construction

Here are some vital statistics of that original design:

The towers were 43 metres high.
The foundations were 10 metres deep.
The original gondola measured 10x5 metres.

Once the Ministry for Development gave its approval the project became a reality

The concession was granted on February 12th 1890 and taken up three months later by the newly formed society"M A De Palacio & co. "

society's first shareholders meeting Alberto de Palacio showed great enthusiasm and presented several projects that were unanimously welcomed.

Amongst these a plan was presented featuring the alteration of the crossbeam to support a high level walkway, as well as the installation of lifts that would allow pedestrians to enjoy panoramic views. , More than a century would have to elapse before the Biscay Transporter Bridge Society, current concession holder, could make those dreams come true.

Once the project was ripe and a team had been selected, construction started on April 10th 1890 on the Portugalete bank.

The original contractor Alonso disappeared tragically before he could start the building works; he was replaced with Ferdinand Arnodin.

The first steps involved a land survey. The chosen site posed some problems due to its high sand content; it had actually been a beach not many years before.

Once all the minor setbacks had been overcome, building progressed at a frantic pace. After excavation was completed, foundations were put into place that would hold the towers.

These were hoisted up section by section with the help of wooden scaffolding. A

Although all the different parts of the structure had initially been assembled with bolts, rivets were finally employed; soldering wouldn't be available until many years later.

When the towers were in place, the cable stays were fitted, followed by the crossbars that span the river. Every section was winched up to its final position from a barge floating on the water. According to the construction chronicles, this was the most complex part of the building process.


The dream was slowly becoming a reality in the eyes of the inhabitants and the building team, proudly monitored by Alberto Palacio.

The young bridge surveyed the landscape from a height never reached before, still unsuspecting of the great changes to come.

Once the main structure was completed it was time to build the gondola that would ferry passengers and cargo.

The original platform was made of timber planks, with steel reinforcements where the suspension cables were attached.

The 1890's were times of marked social differences and the bridge reflected this. The gondola was fitted out to accommodate first and second class passengers, separated by a net.

. First class ticket holders enjoyed three rows of sheltered seats on both sides of the gondola, whereas second class passengers had to share the open central section of the platform with carriages, freight and cattle.


The project, whose viability had even been questioned by its promoters, became a reality once the building work was completed.

The gondola was loaded up with 26 tons; together with its actual weight of 13 tons, it added up to four times the maximum operating weight allowed.

Thus set up, the bridge was subject to several test-crossings at different speeds with fully satisfactory results. There was only one more task to complete: the opening ceremony arrangements.

The Biscay Transporter Bridge was not the only project for a bridge over the Nervion.

These were times of technological revolution, of a second Illustration closely connected to the industrial boom of the region.

Several projects were presented within this framework. Besides the one that concerns us, Alberto Palacio had plans for two other bridges.


The first one, identical to the one he had built, would have been situated further up the river, in the Erandio area.

The second one, named Isabel II Colossal Bridge was inspired on some of the London bridges over the Thames. With a covered span, resting on concrete arches it would have hosted exhibition halls, etc.

Pedro Maria de Merlader designed yet another contraption to join both banks of the Nervion: a swing suspension bridge. Unfortunately, the project failed to gain the necessary backing and was abandoned.

The Biscay Transporter Bridge was not the only project for a bridge over the Nervion.

. These were times of technological revolution, of a second Illustration closely connected to the industrial boom of the region.

Several projects were presented within this framework. Besides the one that concerns us, Alberto Palacio had plans for two other bridges.

The first one, identical to the one he had built, would have been situated further up the river, in the Erandio area. The second one, named Isabel II Colossal Bridge was inspired on some of the London bridges over the Thames.

With a covered span, resting on concrete arches it would have hosted exhibition halls, etc.
The Biscay Transporter Bridge is Alberto Palacio's best-known .

work at international level. It certainly is the first bridge of its kind ever built.

In 1869 Scientific American published a design for a transporter suspension bridge by engineer J V Morse, between New York and Brooklyn.

The first instalment of Engineering Wonders of the World published in 1914 featured an 1873 project by engineer Charles Smith for a transporter bridge between Port Clarence and Middlesbrough. However, none of these projects were accomplished before the Biscay Transporter. The structural similarities with a contemporary iron construction, the Eiffel Tower, together with the personal friendship between the two designers -Eiffel and Palacio- contributed to the bridge's international fame, perhaps less spectacular than the tower but undoubtedly more practical.
His Majesty King Alfonso XIII visited the bridge onboard his yacht, the Giralda, while on his first visit to Bilbao Port, which was undergoing refurbishment.

To commemorate this visit, there was an attempt to hang a star from the bridge; unfortunately it dived into the water before it could fulfil its purpose.

Throughout its history, the Bridge has been closely linked to both social and cultural landmarks in the region.

Since it first opened in 1893 the Biscay Transporter has been witness, target and setting for a number of cultural activities.

Elemento imprescindible y excepcional de nuestro entorno, ha visto innumerables regatas, ha servido como escenario de circo e improvisada iglesia. Ha sido punto de partida de singladuras que han circunvalado la tierra, actor en varias películas, soporte de funanbulistas y deportistas de alto riesgo, pórtico de grandes celebraciones, musa de pintores y literatos y participante forzoso de variopintas reivindicaciones.
It has witnessed hundreds of boar races, hosted a circus and even performed the duties of an ad-hoc church, as well as being the starting point of numerous sea journeys that have circumnavigated the globe. Part of the cast in various films and frame to acrobats, it has also hosted celebrations and protests, as well as inspiring painters and writers. And last but not least, it still performs its duties as a humble river crossing.
For more than a century it held the title of monument of Biscay, an honour it now shares with the Guggenheim Museum, one of whose main benefactors is the Biscay Transporter Bridge Society. El Transbordador de Bizkaia.
The Spanish Civil War broke out in 1936, with the Bridge as witness to the cruel events that took place. Several bombings damaged it throughout the war, without serious consequences. Unfortunately, in June 1937, as enemy troops approached, the Northern Army Engineers received the order to destroy any means of crossing the Nervion in order to hinder the advance of Franco's troops.

In the early hours of June 17th 1937 an explosion destroys the bridge; the crossbar dives into the Nervion. Paradoxically, the war ends three days later on June 22nd.

The new Regime becomes the bridge's new administrator, as shown in the following reproduction of an original document.

A few days later the bridge is destroyed dredging work is undertaken in the river to allow access to the Furnace located in Sestao, as well as various other factories on both banks of the Nervion. Reconstruction work on the Bridge would have to wait a further two years
On August 5th 1939 the Port Authority issued document number 3880, which approved the reconstruction plans for the Transporter Bridge.

Juan Jose Aracil, a civil engineer, would be in charge of the project, which featured certain alterations with respect to the original design.


Approval of the reconstruction project was granted under condition that specific alterations were made.

The most important sections concerned were:

The suspension system
The crossbar track
The traveller

Repair work was completed rather uneventfully, with the exception of some very strong winds near the end of the reconstruction.

Finally, on June 19th 1941, less than two years after building started, the bridge was back in working order.

The Biscay Transporter Bridge was designed by Martin Alberto de Palacio y Elissagüe, a remarkable professional and true visionary of his time.

He lost his parents at a young age; which proved a decisive factor in his character development.

Throughout his childhood at Epalza House he proved to be an outstanding student. In 1882 he obtained a first class honours degree at the Barcelona School of Architecture.
In 1883 he married Leonor Arana Iturribarria, who came from a wealthy and well-established Bilbao family. . They had four children, three boys and a girl who died when she was but a few months old.

Alberto Palacio was the creator of numerous projects with innovation as their common denominator. Between 1883 and 1884 he built the Crystal Palace at El Retiro Park in Madrid in collaboration with Ricardo Velazquez Bosco.

This project incorporated the latest techniques, such as wrought-iron side arches and glass domes. Soon after that he started researching his best-loved work, the Transporter Bridge.

He trusted the construction work management to an outstanding constructor, Ferdinand Arnodin, who,

, thanks to the experience gained in this assignment, was then able to participate in various other transporter bridge projects

over the world, such as the Newport Bridge.

The Transporter Bridge has been stage and target of numerous anecdotes in its hundred-year history.This section will feature a compilation of all the anecdotes we know about, as well as any others you may wish to send us.
  It happened on the Bridge...
 
1912. An acrobat called Mister Tebar, also known as The Human Kite, tied one end of a rope to the bridge and the other round his waist and jumped off the crossbar. He survived this daredevil feat, reaping the princely sum of 300 pesetas.

An obstinate man chose to commit suicide by jumping off the Bridge. He succeeded in killing himself at the third attempt.

1960's. A driver was enjoying a ride in his brand-new car. He drove onto the bridge gondola and put his foot on the accelerator instead of the brake pedal, with disastrous consequences. His brand-new car ended up in the bottom of the river, while he was fortunate enough to survive the embarrassing accident.

  I saw the Bridge in...
 
The Bridge has contributed to the graphic image of a number of products, such as an alcoholic beverage that dates back to pre-Civil War years, as well as the crossword section of PlayBoy magazine.

The Bridge has also featured in a number of films. Could you tell us which ones?

If you'd like to contribute to this section, please e-mail us at anecdotas@dominio.es

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